![]() And Thurman plays an unusually laconic character in the QT canon. Kill Bill, by contrast, more often lets the action do the talking, and quite spectacularly: Volume 1‘s House of Blue Leaves climax, in which The Bride dispatches a veritable army of armed henchpeople with samurai steel, is as amazing today as it was 20 years ago the splatter is so hilariously, outrageously gory that Tarantino had to switch to black-and-white to keep an R rating. In Pulp Fiction and Reservoir Dogs, the fun was watching B-movie archetypes behave like “normal” people, shooting the shit on the way to a hit, or debating pop culture in a diner. Kill Bill: Volume 1 | The Bride vs The Crazy 88Ĭoming as it did after a run of flavorful crime-movie gabfests, Kill Bill also felt like Tarantino’s attempt to hone and demonstrate his craft - to distinguish the director side of his writer-director title. Here, we get martial arts legend Sonny Chiba in the small but pivotal role of a veteran swordmaker. How else can one categorize the decision to dress Thurman in Bruce Lee’s helmet and iconic yellow tracksuit from Game of Death? Even the casting in a Tarantino movie is an expression of refined tastes, almost a brag. Other times, he’s a collector showing off his rarest memorabilia. Spy flicks, kung fu, samurai pictures, French New Wave, ultra-violent anime, Brian De Palma split-screen suspense - Tarantino directs like a one-man festival programmer, curating from his personal library of favorites. The Halloween franchise should have ended 25 years ago with Halloween H20: 20 Years LaterĮven more so than in Pulp Fiction, Tarantino structures his movie like a mixtape - and not just because the soundtrack is typically killer, rolling surf rock into country western into an original RZA score into choice motifs from other movies. Here’s why you should watch it this Halloween This horror remake shocked audiences 5 years ago. Jackson put it in Jackie Brown, accept no substitutes. It was bracing to see the genuine article again - to hear dialogue that really snapped, to nod at a needle perfectly dropped, to follow the zigzag of a timeline scrambled with purpose and joy. Over that eternity, the famous QT style had been used, abused, emulated, imitated, and parodied nearly to death. It had been six years since Tarantino’s last movie, the funky, bittersweet Elmore Leonard adaptation, Jackie Brown. But the writer-director wouldn’t truly disappear into his obsessions until 20 years ago today when he reemerged with the first half of a super-sized revenge opus that took place not in the real world but in some exploitation-movie Twilight Zone best described as Tarantino Land.įor moviegoers of a certain persuasion, the release of Kill Bill: Volume 1 in October of 2003 was an event. His brilliance has always been closely linked to his taste in movies: Tarantino was a video-clerk scavenger right from the start, building Miramax milestones from the scraps of Hong Kong shoot-’em-ups, ’70s Hollywood crime pictures, or anything else that fed his appetite for sensation. More than any movie he made before or any he’s made since, Kill Bill looks like an open window into the pleasure center of Quentin Tarantino‘s brain - maybe the closest he’s ever come to getting that overlapping din of genre noise in his head up on the screen. Here is the track listing for “Kill Bill Vol.Share Uma Thurman in Kill Bill: Volume 1 Miramax / Miramax The label released the 1997 soundtrack for the director’s most recent feature film, “Jackie Brown.” The soundtrack will be the second film-music collaboration between Maverick and Tarantino’s production company A Band Apart. 1” will feature tunes by Nancy Sinatra, Wu-Tang Clan leader RZA, soul icon Isaac Hayes, rockabilly pioneer Charlie Feathers and Japanese girl group the 5.6.7.8’s, interspersed with film dialogue snippets and excerpts from songs by Quincy Jones and Neu! RZA appears with a song of his own, “Ode to Oren Ishii,” and also in a collaboration with film scorer Charles Bernstein on the track “Crane”/”White Lightning.” 23 release for the soundtrack to the first volume of Quentin Tarantino’s new movie “Kill Bill.” The first half of the film, which is being released in two parts, will open Oct.
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